Anyone who is into Blues music or Rock will most likely be very familiar with the sound of the Mixolydian Scale/Mode. However on it’s own the scale may need some help and encouragement to really develop to it’s full potential.
Much Blues Piano work which pioneered the Blues used the Mixolydian Scale. However in Blues piano it was important to follow the chord changes (particularly those of the IV chord and V chord) with changes to the Mixolydian appropriate to those chord changes. For example it was rare for a piece played in say the Key of A to stay solely on the A Mixolydian Scale throughout the entire piece over the most likely chord changes of IV ( D Maj) and V (E Maj). So in Key of A more normally you will encounter that the A Mixolydian changes to D Mixolydian over the IV chord and again may change to E Mixolydian over the V Chord. There is good reason for this as we can see if we examine the scale to find out it’s inherent weaknesses.
Continue reading The Mixolydian Mode and why it needs a bit of help
The Albert King Style is deceptively straight forward but also hard to replicate convincingly. This is due in part to the fact that Albert King used an unconventional tuning and strung his guitar upside down. This means that if you wish to follow what he was doing it presents problems when playing with conventional tunings and strings.
Continue reading Albert King Style
In my experience the difference between cheap budget electric guitars and more expensive high quality guitars is more marginal than you think. There are many similarities and often what actually differentiates them is the actual labour, care & attention to detail and skills that have been invested in the more expensive instrument and conversely deprived from the budget instrument. The price of the cheap instrument is likely to be because these factors, which are the most labour intensive steps in an instruments production, are often shortcut or neglected allowing the manufacturer to sell in the budget price range. By allowing the budget instrument to receive these at a later stage we can vastly bring up the quality of the cheap budget electric guitars up to a point of comparability with the more expensive guitars. Of course there will be some difference that cannot be eliminated using this process such as quality of the hardware used but again there is an opportunity to change these things on a budget instrument at a later stage.
I offer a fret levelling and Trussrod adjustment service
Continue reading I can make your cheap budget electric guitars play better
Here is my my new improved counting system for 12/8 time The system is based on my previous system but there are several improvements which make the new system far superior.
Continue reading New & Improved Counting System for 12/8 time
As I previously published, counting 12/8 time can be done either in 1/8th notes or in my opinion more successfully in 16th notes. After careful consideration I have revised & updated this system into a new and improved version which is now available only to site members.
Continue reading Counting 12/8 time-taking it further
In this lesson I will demonstrate and explain the methods that I use for counting 4/4 time. Counting time is probably one of the most important skills that you have to learn as a musician but it is also a gateway into the world of creating and composing your own music. Understanding counting is an integral part of composing melody because it controls the underlying rhythm of any melody .
This lesson gets us thinking about counting 4/4 time and shows you what I consider to be the most useful way to do this. In this lesson we will be using a 1/16th note (semi-quaver note) to make the count. This I believe to be the most useful and often used subdivision. Anything smaller than this (1/32 note for example starts to make the counting complicated and ridiculous). Once you can understand and apply the count to the various notes of the subdivisions that you will encounter then we can then go on to look at making some rhythmic examples of phrases over a one or 2 bars. I will then go on to show you how these can be adapted and made into short melodic statements (melodies).
Continue reading Counting 4/4 Time using the 1/16th notes
Many teachers and Music Theory sites will tell you that you count 12/8 time out in 1/8th notes. Well yes this is true but this is only good if you are using 1/8th notes all the time, which is a bit repetitive. To be more musical and creative you are at some point going to want to subdivide the beat into other compound time configurations so sticking rigidly to counting the beat in 1/8 th notes is not going to be helpful and possibly it may actually become difficult. My method for counting in 12/8 time jumps ahead and actually uses the 1/16th notes to make the count assuming that this is the most useful and likely subdivision of the 1/8th note beat that you will use and encounter.
Continue reading Method of counting 1/16 th notes in 12/8 time