Here are all the 5 Shapes presented as minor Shapes
Here are all the 5 shapes presented as Minor Shape Patterns. As I mentioned earlier this is the easiest way to remember the shapes and the position of the Root Notes. This is important because it allows us to then use our system to find the position for the Major Shape Pattern. Simply go back 3 frets from any of the Root Notes in the Patterns and you will find the VI note. When you have found the VI note simply re-position the same pattern to start from the VI note. Obviously the Root of the major scale shape (Key Note) will be the note you play in the pattern after the VI Note. If unsure go back to part V to familiarize yourself with this concept.
Continue reading C-A-G-E-D Part Vi
Lastly we did some scale building and saw that the chord built on the VI degree of the scale is a minor Scale. We learnt that this chord is called the relative minor. In Cmajor its a A minor chord.
So why is the relative minor so important?
Continue reading CAGED part V
Hello again and welcome to Part IV of my article on the CAGED System. In this part we are going to explore what can make a Shape pattern Major or Minor. First though a bit of music theory.
In every Major Scale there is a relative minor chord. The minor chord can be found by building a chord starting on the VI degree ( 6th note ) of the major scale. Lets take C Major Scale because it has no sharps or flats and is the easiest scale to look at. The Stating note of the Major Scale is obviously a C note. From now on we will refer to the starting note as the ROOT NOTE. This is the root note of the scale – the starting note.
The Scale of C Major is as follows
Continue reading CAGED System Part 4
Welcome to part 3 of the CAGED System explanation. Here is the point where I give you the remaining fingering patterns for the 4 remaining elements of the C-A-G-E-D Grid. So far we have only seen the one pattern for the G letter. Now I give you the C, the A, the E and the D.
However before I do this I want to take you back to the G Shape Pattern. As we have seen this pattern can be either Major scale or minor scale depending on where you play it. If you start the pattern at Fret 3 String 6 ( low String) you will be playing a Minor scale. If you shift it back 3 frets ( this is an open position so starts at Fret 0 of String 6 and follow the pattern you are playing notes from a Major Scale. You would see this if you play either a G maj Chord against the notes you are playing and you will hear some differences in the mood they make against the chord. At position fret 3 it will sound moody maybe like Blues music, at fret 0 it will sound happier and brighter with a traditional feel.
Continue reading The CAGED System Part 3